Cul de Sac
Scott Wrobel
Sententia Books, 2012
Cul de Sac Release Party
Magers & Quinn Booksellers
April 20, 7:30 p.m.
A month after AWP 2012, MCB still recalls its high points. For inspiration and motivation, there’s much to gain at AWP, despite the beginning writer’s despair at vanishing in a crowd of 10,000. Of course MCB never left Minneapolis, experiencing AWP through the lens of social media. Whether or not it happened the way MCB images is unimportant. It’s what’s taken away that counts, including the laughs. The image of Jarrett Haley, for example—editor of Bull: Men’s Fiction—defending his enterprise of masculinity against a rightly suspicious crowd of authoresses and editrices, conjures a fast-talking high-voiced politician who can’t quite make eye contact with a contracting circle of thoroughly pissed voters.
In reality it isn’t that funny. Nor, however, is it that one-dimensional. In an industry dominated by male authors and supported by female readers, a magazine promoting “men’s fiction” seems at first glance unnecessary and insulting, like tax breaks on the wealthy. Yet, as a male reader, Haley’s defense is provocative. The heart of his goal is to change publishing’s dynamic, at least in the sense of the men-don’t-read myth. While the real solution would start with an entire redesign of society, addressing gender inequality, empathy, all those wonderful things, and end with something like a book review publication geared more toward masculine sensibilities, Haley’s attempt is at least admirable. More importantly, it hints at something missing. While masculinity certainly exists in contemporary fiction, it seems polarized. Speaking purely in the realm of literature, you have hyper-masculinity as an exclusion of all else—something like McCarthy or Roth, if you want to go after the heavyweights—and the hyper consciousness of masculinity that portrays it as something in need of suppression and refusal (often portrayed ironically, with brutal, sociopathic narrators). This reflects our culture’s view of masculinity itself—as a joke, an exaggeration, or an intrusion of base animality into our thinking, feeling society. While the work and ideas of men are taken seriously, men themselves are not. There’s been a reduction of the male complexity, and masculinity has been relegated entirely to the realm of sex.
Before this descends into a chauvinist manifesto, let’s talk about books. Continue reading →
Whatever Happened to Masculinity?
Scott Wrobel
Sententia Books, 2012
Cul de Sac Release Party
Magers & Quinn Booksellers
April 20, 7:30 p.m.
A month after AWP 2012, MCB still recalls its high points. For inspiration and motivation, there’s much to gain at AWP, despite the beginning writer’s despair at vanishing in a crowd of 10,000. Of course MCB never left Minneapolis, experiencing AWP through the lens of social media. Whether or not it happened the way MCB images is unimportant. It’s what’s taken away that counts, including the laughs. The image of Jarrett Haley, for example—editor of Bull: Men’s Fiction—defending his enterprise of masculinity against a rightly suspicious crowd of authoresses and editrices, conjures a fast-talking high-voiced politician who can’t quite make eye contact with a contracting circle of thoroughly pissed voters.
In reality it isn’t that funny. Nor, however, is it that one-dimensional. In an industry dominated by male authors and supported by female readers, a magazine promoting “men’s fiction” seems at first glance unnecessary and insulting, like tax breaks on the wealthy. Yet, as a male reader, Haley’s defense is provocative. The heart of his goal is to change publishing’s dynamic, at least in the sense of the men-don’t-read myth. While the real solution would start with an entire redesign of society, addressing gender inequality, empathy, all those wonderful things, and end with something like a book review publication geared more toward masculine sensibilities, Haley’s attempt is at least admirable. More importantly, it hints at something missing. While masculinity certainly exists in contemporary fiction, it seems polarized. Speaking purely in the realm of literature, you have hyper-masculinity as an exclusion of all else—something like McCarthy or Roth, if you want to go after the heavyweights—and the hyper consciousness of masculinity that portrays it as something in need of suppression and refusal (often portrayed ironically, with brutal, sociopathic narrators). This reflects our culture’s view of masculinity itself—as a joke, an exaggeration, or an intrusion of base animality into our thinking, feeling society. While the work and ideas of men are taken seriously, men themselves are not. There’s been a reduction of the male complexity, and masculinity has been relegated entirely to the realm of sex.
Before this descends into a chauvinist manifesto, let’s talk about books. Continue reading →
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Posted in Features, Reviews
Tagged book releases, book reviews, commentary, editorial, essay, Jarrett Haley, literature, local authors, Magers & Quinn, masculinity, men's fiction, men's literature, novel in stories, publishing, Scott Wrobel, Sententia Books, short fiction, small press